Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Hirst, Claude Raguet
Chianti Wine Bottle,Wine Glass,Grapes and Layer Cake,with Red Scarf

ID: 39162

Hirst, Claude Raguet Chianti Wine Bottle,Wine Glass,Grapes and Layer Cake,with Red Scarf
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Hirst, Claude Raguet Chianti Wine Bottle,Wine Glass,Grapes and Layer Cake,with Red Scarf


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Hirst, Claude Raguet

American Painter, 1855-1942  Related Paintings of Hirst, Claude Raguet :. | A Winter-s Tale | Still Life with Lemons,Red Currants,and Gooseberries | Pansies in a Glass Vase | Lord Chesterfield-s Letters | Books and Pottery Vase |
Related Artists:
Gustave Boulanger
(1824-88) was a French figure painter known for his Neo-Grec style. He was born at Paris, studied with Delaroche and Jollivet, and in 1849 took the Prix de Rome. His paintings are prime examples of academic art of the time, particularly history painting. Boulanger had visited Italy, Greece, and North Africa, and his paintings reflect his attention to culturally correct details and skill in rendering the female form. His works include a Moorish Cafe (1848), Cæsar at the Rubicon (1865), the Promenade in the Street of Tombs, Pompeii (1869), and The Slave Market (1888). The recipient of many medals, he became a member of the Institut de France in 1882.
Raymond D Yelland
1848-1900 Raymond D Yelland Gallery
Sir William Beechey
1753-1839 British English painter. He was trained as a lawyer before entering the Royal Academy Schools, London, in 1772. He is thought to have studied under Johan Zoffany, and his earliest surviving portraits are small-scale full-lengths and conversation pieces in Zoffanys manner (e.g. The Custance Conversation Piece, c. 1786; priv. col.). Beechey first exhibited at the Royal Academy in 1776. In 1782 he moved to Norwich, where he gained several commissions, but he was back in London by 1787. In 1789 he exhibited a portrait of John Douglas, Bishop of Carlisle (London, Lambeth Pal.) that is remarkable for its facility of handling. Beechey would occasionally paint similarly inspired works, but his career is marked by a succession of unflamboyant but competent portraits in the tradition of Joshua Reynolds.






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